“I vividly remember being told that your body was like a car and you should treat your car like God gave you a BMW,” she says. “Lend it to the one person, and that person would be very important to you. Don’t act like God gave you a Datsun that you would lend to your friends and your brother’s friends and they’d leave their wet bathers in there and then scratch it up and take it to the river.
“The ways you could extend that metaphor at will. It just writes itself.
“I was trying to reconcile this far-fetched version of the universe that Christianity offers with the banality of life in Bathurst and then the random cruelty of cancer. And also the random cruelty of the world just generally, forget my suffering.”
Two years of successful cancer treatment followed and, in 2009, she moved to Sydney to become an ABC journalist. After years as a news and investigative reporter, and Triple J newsreader, she is now co-host of the ABC’s daily news podcast The Signal.
She also joined comedy act The Bear Pack, playing cello on stage to accompany Steen Raskopoulos and Carlo Ritchie’s live improv storytelling. More recently she developed an all-female web comedy series called Impostors, written and created with Jane Watt and director Kate Cornish, which centres on failure and features bungling characters ranging from social workers to butchers, children’s entertainers and barristers. And, in her spare hours, she is part of improv country music act The Plonk Family Band with Ritchie and Wyatt Nixon-Lloyd.
Zealot, Lavoipierre’s second full-length comedy show after 2019’s Final Form, is a work-in-progress but is slated for the Adelaide Fringe, the Melbourne International Comedy Festival, the Sydney Comedy Festival and, most likely, the Edinburgh Festival Fringe.
“Did God invent herpes?” she says. “Does Santa believe in himself? Is the Google blue dot sentient? I’ll give you answers in so far as there are any. And I’m a firm believer that there aren’t.
“Zealot is not about kicking holes in religion and what it offers people. It’s about the absurdity of the way that God is served up to us, particularly as teenagers.
“It’s a critique of the institution. It’s not the meaning of life.”